It was made clear that after the first two shoots, when piecing together the edit there was a variety of shots but however were not all usable for continuity reasons. However the shoots that created the sequence for the house scene in particular were of a length that meant it would need cutting down anyway in order to allow enough time for the other scenes in the film such as the park.
The cuts used all worked, however it was difficult to piece together a sequence without knowing what sound file went with what video file as this wasn't labelled on a clapper board or said by the director on the shoot. This made editing more stressful and time consuming.
As well as the problems with syncing up sound to the dialogue on screen it also highlighted how with the little dialogue we have in our script without the sound design present, although the edit is cleanly cut it was very bland and drew little attention to the point of the film. This to us highlighted how important the sound design is when creating a dramatic sequence of events.

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